If that option isn’t available, encode in high-resolution, Your acquisition format (if that’s what you used for the sequence). For HD formats, try creating a file by selecting the Match Sequence Settings check box, which will render in If these options don’t work, use either QuickTime or Microsoft AVI format for SD files, using
#ADOBE PREMIERE PRO CS5 EXPORT TO YOUTUBE PRO#
The YouTube and Vimeo presets as a guide.Įncoding for editing in other applications: Export to Final Cut Pro XML (File > Export > Final Cut Pro XML) for Final Cut Pro, and try the AAF format (File > Export >ĪAF) for Avid Media Composer. Check the recommendations and requirements of your service provider, and check Use these presets as a starting point for your service,īeing careful to observe resolution, file size, and duration limits.Įncoding for online video platforms (OVPs) such as Brightcove and Kaltura: Typically, H.264 is the highest-quality format. As you’ll see, Adobe Device Central canĮncoding for uploading to user-generated video sites: H.264 has presets for YouTube and Vimeo in wide-screen, SD, and HD. Specifications, and make sure the files that you produce don’t exceed these specs. When encoding for smartphones, find the manufacturer’s
#ADOBE PREMIERE PRO CS5 EXPORT TO YOUTUBE WINDOWS#
MPEG4 for older MPEG4-based devices, and use Windows Media for Zune. Better yet, input your sequence without rendering inĮncore (choose File > Adobe Dynamic Link > Import Adobe Premiere Pro Sequence).Įncoding for devices: Use the H.264 format for current devices (Apple iPod/iPhone, Apple TV, and TiVo), as well as some generic 3GPP presets use In these high-bit-rate applications and will encode much, much faster. Check with your web administrator for the format, resolution, data rate, and otherĮncoding for DVD/Blu-ray: Use MPEG2 for both, namely, MPEG2-DVD for DVD and MPEG2 Blu-ray for Blu-ray Discs.
In terms of resolution, theħ20p Source, Half Size presets in both F4V and FLV formats encode your video at 740×360 (for HD source), which is a nice conservative
If you don’t know which format to use, go with F4V. Uploading to a web site for Flash deployment: When you choose the FLV|F4V format, choose an FLV preset for producing the file with the older On2 VP6 codec, and choose F4Vįor the newer, higher-quality H.264 format. Option you choose with a short file first to test the workflow, before going live with it. Just to state the blindingly obvious, try whatever
There are few absolutes, but these should get you in the ballpark. Let’s reverse this approach and take a user-centric view, identifying the use of the video and then pointing toward a formatĪnd preset.
0 kommentar(er)
